Presenter: Tan Haur
Tan Haur mixed media painting on canvas.
Underwater series.
Photo courtesy of My Art Space and mui photography
tanhaur@gmail.com
Saturday, December 05, 2009
Art Critique Session at Fill your walls gallery 艺术研讨会 2009
Art Critique Session
Presenter: Tan Haur
Tan Haur mixed media painting on canvas.
Underwater series.
Photo courtesy of My Art Space and mui photography
tanhaur@gmail.com
Presenter: Tan Haur
Tan Haur mixed media painting on canvas.
Underwater series.
Photo courtesy of My Art Space and mui photography
tanhaur@gmail.com
Tuesday, August 18, 2009
Ink and wash painting on paper. Highland China, 2009.
高原印象系列， 共12 张。
A series of Impression paintings, ink and wash, done in China. 2009.
Copyright © by Tan Haur. All rights reserved.
Saturday, August 15, 2009
Monday, August 10, 2009
Media report - Christmas Decoration Competition by 杨福泉
日期:
15/12/2008
记者:
杨福泉
Park Hotel Group日前举办了酒店大厅的创意布置设计比赛，三位评审都是莱佛士设计学院带领着创意设计的总舵主，omy于是就向他们讨教了几个圣诞家居布置的小贴士。
Rosah Lopes：室内设计的资深讲师 (RL)Tan Haur：学院学术总监 (TH)Antony Eddison：设计学院院长 (AE)
问：今年流行什么颜色与设计风格？
RL： 传统的红绿色是永不过时的，它已经是个象征性的代表。无论你喜欢传统元素或时髦风格，建议你慢慢一件一件去建立你的整体布置。
TH： 金橙色、天空蓝较为瞩目，人们也开始喜欢选用鲜艳的糖果颜色，走普普艺术风格。
AE： 红绿和金色当道，一些本地的色彩如蓝色和粉红色也能创出有趣的组合。
问：进行布置要注意什么？
RL： 宠物和家人的安全是第一考量，能够持久的环保装饰更是不错。
TH： 空间大小、室内户外以及天花板的距离都是重要考量。
AE： 任何让人感觉舒服的就行！新加坡过圣诞和在北半球的西方国家过圣诞相当不同，新加坡人比较常趁着佳节往外跑，所以就比较不重视家中的圣诞布置，但圣诞装饰还是应该给予人们一个美好的感觉
问：进行布置，最不应该的是什么？
RL： 最好不要花太多钱在布置上，一点点简单的装饰也能制造令人难忘的效果。
AE、TH： 不要使用会给家人和宠物带来危险，或可能造成火患的材料。
问：应该怎么布置才不会过火、不切实际？
RL、AE： 记住“少就是多”这句箴言准没错！用抢眼的装饰来制造视觉震撼。
问：新加坡适合选用哪些材料来制作圣诞装饰？
TH： 纸、塑料、干木材、尼龙和丝绸都非常适合新加坡的气候，可用作装饰材料。
AE： 这里的塑料圣诞树很实用，但如果要以假乱真，更可以加入几滴松树香精。你也可以考虑选用再循环材料，或者甚至能吃的装饰品，全凭你的想象力！如果你要为家中增添多些花草树木，不妨考虑用插花装饰或盆栽。
Curatorial project " The Life of my sisters" - 2009
对于这摄影展很期待，因为我先生陈豪是这摄影展的策展人。
由于全职的工作忙碌，他有一段时间没有参于策展。
这一次受邀，他接下了任务。除了慈善，更希望大家多了解这机构，帮助和支持这群妹妹们，走向光明。
我们十多年前，到过尼伯尔，好山好水。
这次的影展，让你更接近Nepal，更了解孩子们的生活，更知道幸福是可以创造的。
The Life of my Sisters 摄影展 reported on Omy blog.
Author: muij, 03 03rd, 2009
Come in Art Exhibition- Design Contest Merit Award, 2009
reported on muij Omy blog: http://blog.omy.sg/muij/archives/188
National Museum of Singapore
Come-in art exhibition design Contest, April 2009.
Merit Award goes to Designer-Artist Tan Haur
Synopsis: This fixture creates a typical experience for visitors to feel the compact space and tighter gap between flats built by Housing Development Board nowadays in Singapore mainland. The semi-circular spheres made by clear acrylic material are to provide a viewing window within a confined space to simulate operator’s control room with viewing screen inside a military submarine or tanker; this is to create a visual tension between participants who are inside the four spheres. The internal space of the cubicles was painted with blue tone wavy- camouflage pattern to symbolize our island country is surrounded by ocean. At the centre portion of the cubicle tunnel, it was furnished with a typical HDB bomb shelter ventilation metal plate to create a sense of safety precaution as well as insecurity of a nation..
Saturday, August 08, 2009
Art photography work at China, Lijiang Historical City 丽江影像
身在中国的香格里拉、丽江、大理和茶马古道会有种现实与虚幻交错的感觉。路经一处名为柔软时光的休闲客栈，大力提倡当地的慢与闲，其室内灯光，装饰和色彩迷幻，时间似乎凝固在梦缘的空间，顿悟达利大师（Salvador Dali）描绘软化记时器的意境。
Copyright © by Tan Haur. All rights reserved.
Thursday, April 30, 2009
Media exposure - My Little Sisters curatorial work
Profile of curator:
TAN HAUR
Tan Haur was the Creative Project Consultant from 1987 to 2000, and his job scope included undertaking consultancy work for digital art and graphics-related jobs worldwide. His years as the Creative Project Consultant saw him supervising assignments covering photography, digital imaging, loyalty programs, graphic design, advertising & promotions, exhibition & interior design, product design, visual identity programs and corporate branding programs. He has successfully merged his passion and talent together with his career in the art, digital imaging & creative industries and has proved not just to be a talented artist, but also a valuable member of the digital art community.
TAN HAUR
Tan Haur was the Creative Project Consultant from 1987 to 2000, and his job scope included undertaking consultancy work for digital art and graphics-related jobs worldwide. His years as the Creative Project Consultant saw him supervising assignments covering photography, digital imaging, loyalty programs, graphic design, advertising & promotions, exhibition & interior design, product design, visual identity programs and corporate branding programs. He has successfully merged his passion and talent together with his career in the art, digital imaging & creative industries and has proved not just to be a talented artist, but also a valuable member of the digital art community.
Thursday, January 01, 2009
Tan Haur's website and work featured in 2009 New York Arts Annual Magazine
Tan Haur’s digital imaging artwork and website are featured in New York Arts Magazine’s Top 500 Websites in 2009. The catalogue edition is a highly anticipated double issue that has proven to be a valuable art resource for curators, galleries, and collectors in New York City and worldwide. 500 artists and galleries were selected worldwide for inclusion in the magazine’s “best websites” special directory. Tan’s oceanic series are also mentioned in the MOCA (Museum of Contemporary Art) NET listing of world-class digital art sites 2009.
Friday, November 21, 2008
黑山丛林系列 Black mountain series -contact Sheet
Copyright © by Tan Haur. All rights reserved.
27″ W x 36″ H
(Archival ink on watercolor paper-IJ coated.)
Artist: Tan Haur
email:
website:
Black Mountain New Series ll / 黑山丛林系列 ll
Copyright © by Tan Haur. All rights reserved.
Black Mountain New Series ll
黑山丛林系列 ll
(Fine Art 纯美术系列 ll)
Black Mountain New Series
黑山丛林系列
(Fine Art 纯美术系列)
Tan Haur: “I have just completed a body of work recently, it is named as 《Black Mountain New Series》 reflecting cross cultural environment, global climate changes awareness and human perception issues; this series of artwork is a result of integrating paintings, drawings and photo images. I appreciate if you could share your opinion, thoughts and suggestions on this body of work :-)
..................................................
Copyright © by Tan Haur. All rights reserved.
27″ W x 36″ H
(Archival ink on watercolor paper-IJ coated.)
Artist: Tan Haur
email:
website:
Friday, October 10, 2008
Saturday, September 27, 2008
Fine art photography work by Tan Haur
Cocoon
There’s such a sociological term “cocooning” to describe one of our current major living trends and lifestyle in modern society. And it has been a while that I’ve made a visual comparison between the heavy-looking man-made structures with little birds flying freely in the sky. You may sense the different vibration in two completely different worlds, as to say, with such a great contrast in their vision statement, it makes sense for us to ask these questions:
Besides surrounded by walls, are there any other barriers that we created in our own life?
With more walls building up, are we getting lesser time to interact with others or nature?
Physical walls are just symbolic kinds of things, how about the invisible walls in our own thoughts?
What we could do is sit quietly at a corner of the Café, sipping a cup of house-brewed coffee, and watch the pigeons catching fun and turning to our table for food. Is probably a luxury moment in our fast-paced life by not doing anything but simply watching and searching for what we really want to be and being deep inside at this peaceful moment of “now”.
~Tan Haur
[Connection]
Sunday, December 30, 2007
Thursday, December 20, 2007
Monday, December 17, 2007
in Beijing 『因』北京 by Tan Haur
『因』北京
| |
| This exhibition reflects Tan Haur’s passion in black
& white, and color fine art photography, focusing into straight
street photography and mirroring fractions of strong visual statement of
the local subject matters by placing two photos into one frame.
Avoiding complicated postproduction in stitching and blending photos,
majority of the photos in pairs are simply place side by side to shed
light on his ideas and artistic statement. This body of work should not be simply view as an artist’s photo dialogue experienced through in December 2007, Beijing, but very much an in depth expression of “Zen” in its daily life context.               | |
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