很高興和榮幸入選2020亞洲插畫年度大賞!謝謝!
#亞洲插畫年度大賞 #國際插畫 #illustrator
Note:
《2020亞洲插畫年度大賞 入選名單公佈》
明年度2020年的《亞洲插畫年度大賞》歷經徵選，再由
Showing posts with label Painting. Show all posts
Showing posts with label Painting. Show all posts
Thursday, November 14, 2019
Asia illustrations Collection & Annual Award 2020
I am delighted and honored to have been selected for the Asia illustrations Collection & Annual Award 2020! Thank you!
很高興和榮幸入選2020亞洲插畫年度大賞!謝謝!
#亞洲插畫年度大賞 #國際插畫 #illustrator
Note:
《2020亞洲插畫年度大賞 入選名單公佈》
明年度2020年的《亞洲插畫年度大賞》歷經徵選，再由
很高興和榮幸入選2020亞洲插畫年度大賞!謝謝!
#亞洲插畫年度大賞 #國際插畫 #illustrator
Note:
《2020亞洲插畫年度大賞 入選名單公佈》
明年度2020年的《亞洲插畫年度大賞》歷經徵選，再由
Saturday, October 05, 2019
The Art of Collaboration
Congrats to all art students and art educators on their collaborative effort and exhibition at the National Gallery Singapore! We are all very proud of this meaningful event and enjoy the journey of creation and interaction.
As an artist & educator, I enjoy working through art collaboration and self-designed art-making processes to obtain unique artistic lingo. It fuels my art, pushes me by understanding a subject matter from different perspectives, and helps me grow by challenging me through group participation, interaction, and interpretation.
In this series of work, I worked with two separate groups of students to create two-dimensional spaces made up of elements that resonate between the familiar and the unknown. By employing different perspectives, I try to encourage an experiential view of the mindscape, as the landscape that exists for the viewer in the physical world, where sightlines are constantly shifting.
I was inspired by the NGS art collection “Under construction” created by Leng Joon Wong. His painting has an immense power to draw viewers into his subject matter through the painted perspective line works. I intended to focus on the art-making processes rather than the final outcome, so we started on-site sketching with pencil and Chinese ink on paper materials as a seeding unit, followed by planting the group's mindscape by working with acrylic paint on canvases. These painted mindscapes had grown organically and become a rhythmic labyrinth to enter and travel through, wherein the viewer experiences his or her own personal associations.
As an artist & educator, I enjoy working through art collaboration and self-designed art-making processes to obtain unique artistic lingo. It fuels my art, pushes me by understanding a subject matter from different perspectives, and helps me grow by challenging me through group participation, interaction, and interpretation.
In this series of work, I worked with two separate groups of students to create two-dimensional spaces made up of elements that resonate between the familiar and the unknown. By employing different perspectives, I try to encourage an experiential view of the mindscape, as the landscape that exists for the viewer in the physical world, where sightlines are constantly shifting.
I was inspired by the NGS art collection “Under construction” created by Leng Joon Wong. His painting has an immense power to draw viewers into his subject matter through the painted perspective line works. I intended to focus on the art-making processes rather than the final outcome, so we started on-site sketching with pencil and Chinese ink on paper materials as a seeding unit, followed by planting the group's mindscape by working with acrylic paint on canvases. These painted mindscapes had grown organically and become a rhythmic labyrinth to enter and travel through, wherein the viewer experiences his or her own personal associations.
[Connection]
Email Tan Haur at:
WhatsApp & SMS:
(+65) 9070 2000
Sunday, January 11, 2015
Burgmann Journal
Journal from Burgmann, published by ANU eView, The Australian National University.
Authors: Gerry Antioch, Alix Biggs, Jessica Elliott, Jessica Van Lieven, Tristan McCall, Stuart Mooney, Camilla Pondel, Scott Stephenson, William Albert Stoltz, Keely Van Order and Tan Haur.
Cover art & design: Tan Haur
Free PDF viewing at: http://eview.anu.edu.au/burgmann-journal-research-debate-opinion/burgmann-journal-issue-3-2014.html
Authors: Gerry Antioch, Alix Biggs, Jessica Elliott, Jessica Van Lieven, Tristan McCall, Stuart Mooney, Camilla Pondel, Scott Stephenson, William Albert Stoltz, Keely Van Order and Tan Haur.
Cover art & design: Tan Haur
Sunday, March 30, 2014
ASEAN COCI 2008 亚细安艺术交流营
Tan Haur represented Singapore for the ASEAN COCI ‘Art for All, All for Peace’ 2008 in Thailand organized by the Thai secretariat of the ASEAN Committee on Culture and Information to promote effective cooperation in the fields of culture and information for the purpose of enhancing mutual understanding and solidarity among the peoples of ASEAN as well as in furthering regional development.
陈豪参加了今年在曼谷举行的 ASEAN COCI 2008 “Art for All, All for Peace” 的艺术活动。
想要了解更多有关艺术活动，可联系陈豪。
这是一项亚细安师生交流艺术营活动。
Thursday, January 16, 2014
参与国庆礼包设计 NDP Fun Pack design 2008
昨早参加了国庆礼包（NDP Fun Pack 2008) 媒体发表会。今年的国庆礼包对我和先生（ 陈豪 Tan Haur）来说很特别，意义深重。礼包上色彩灿烂的图像，是庄心珍（Chng Seok Tin, printmking artist) 和陈豪（Tan Haur, digital artist) 合作指导学生的合成艺术作品。一组来自VSA 特殊才艺协会和SOTA新加坡艺术学院的学生，以心珍指导的传统绘画技法，绘出国庆主体元素，再结合上陈豪指导的数码绘画艺术，创作了一幅集体艺术作品。这是一个全新的尝试，传统与现代艺术的融合，表现在设计师的新颖包装上，效果真是天衣无缝。
陈豪自澳洲回国，就不遗余力，推广数码绘画艺术(Digital Art)。在2007年4月得到Creative CommunitySingapore 的支持，成立了Digital Art For All 。陈豪希望通过多方面的艺术活动，能够让更多新加坡人，认识数码艺术，提升对绘画创作的热爱。电脑已不再只是家里的一台游戏机，而是增强创意（Creativity)，丰富人生色彩的工具。
Tuesday, December 10, 2013
Community Art
It is interesting that the custodian who laid the foundation of this painting are the nurses, doctors, patients and visitors form the Singapore General Hospital, I imagine the red fingerprints as red blood cells from different blood groups and races. They depict our multi-racial society in great harmonisation. The heart shapes signify our four major races, and as a whole, most importantly, we are one people, one nation, one Singapore, that’s the way we will be forever more.
~ Tan Haur
18 August 2010
Monday, June 06, 2011
ILLUSTRATION 插画艺术
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